![]() Flangers phasers and other modulation effects can give some great movement. ![]() The area between 700 and 900 hz should work fine, since there is not that much information in our speech.Īlso distort the voice slightly and compress the hell out of it to get a stable instrument. Try to accent another frequency area with a notch filter sweep according to the phrase (it is like following the natural pitch movement). I would automate the cut-off according to the phrase you wrote. You hear they there is some lowpassfilter. Also remove noisy parts of the vocal like s, f p, t and such syllables as they tend to screw melodynes algorithm. that way it stays vocal but changes timbre. Also be sure to use the pitch drift function of melodyne to get some pitch shifts, also reduce the vibrato with the pitch modulation tool to make the sounds less human and more instrumental.Ī good idea is to pitch stuff up and the formants down or pitch stuff down and the formants up. ![]() In melodyne you can change the formants of the vocal without editing the pitch to get the "kittiness" into the vocal. Then i would use celemonys melodyne to pitch individual notes around. I would try to get a great sustained vocal/speech phrase and chop it up to get some rhythm. For me it sounds like ethnic vocals treated with some automated fx.
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